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Fruit of the Loom - Size L - Good Condition

Vintage 1990s KLOL Houston 101 FM Radio Station Graphic T-Shirt – Fruit of the Loom Made in USA All Over Print

Vintage 1990s KLOL Houston 101 FM Radio Station Graphic T-Shirt – Fruit of the Loom Made in USA All Over Print

€60,00
€60,00
Sale Sold out
Taxes included.

Vintage promotional T-shirt from the historic rock radio station KLOL 101 FM in Houston, Texas. Oversized graphic with a cartoon radio, lightning bolt, headphones, and sneakers, complemented by a distinctive blue "crackle" effect print all over the shirt. The front graphic is a multicoloured screen print with very vibrant colours, featuring a cartoon aesthetic typical of the early 90s.

Made on an original Fruit of the Loom "Made in U.S.A." blank, 100% cotton. The label, wide cut, loose sleeves, and seamless side body construction are consistent with early/mid-90s production.

Cut

Suggested size: LLabel size: L

Measurements:Length-71cmShoulders-47cmSleeves-20cmWidth-55cm 📏

Size Guide
  • Suggested size → recommended size based on actual measurements.
  • Size label → size shown on the label (if present).

On vintage garments, the label may not reflect the current fit: washing, alterations, and past fashions may have changed the original dimensions.

Always rely on the measurements provided. For more information, see the dedicated page.

Conditions

The condition of our garments is classified according to the following scale:

  • Deadstock : Like-new condition, no defects. Fabrics and trim are practically new.
  • Very Good : In excellent condition, with any minor imperfections shown in the photos.
  • Good : In good overall condition, with signs of wear or obvious defects shown in the photos.
  • Fair : with obvious wear and visible defects shown in the photos.

Since they are vintage items, they may still have small imperfections or signs of wear that are not always shown.

All items are washed, sanitized, and stain treated before being put on sale. For more information, please visit the dedicated page .

Shipping and Returns

Orders are processed within 1-3 business days and entrusted to the most suitable courier based on the destination and type of package.
Shipping is free for orders over €100 in Italy and EU countries (zones 1-2) , while in other cases the costs are calculated automatically at checkout.

The right of withdrawal can be exercised within 14 days of delivery . Items must be returned in the same condition in which they were received and as described in the listing.

  • Returns must be requested in advance via email or the contact details indicated on the dedicated page;
  • The refund is issued within 14 days of receipt and verification of the package , and is made net of shipping costs ;
  • Unauthorized returns will not be refunded.

For further details and complete information, please refer to the pages dedicated to Shipping and Returns and Refunds .

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Story Time

Houston's rock radio revolution

In 1970, Houston’s sleepy 101.1 FM was reborn as KLOL, a free-form progressive rock station ushered in with The Who’s “I’m Free.” At first, it was incredibly free: DJs alternated Pink Floyd, Howlin’ Wolf, Miles Davis, Merle Haggard, Alice Coltrane, and British underground rock with very few programming constraints. KLOL became a place where the hosts shaped the sound of the station, transforming it into a cornerstone of Houston’s counterculture.

By the 1980s, KLOL had established itself as one of the top album rock stations in the United States. Personalities like Stevens & Pruett, Dayna Steele, and Dr. K transformed it into much more than just a music radio station: KLOL became a true city institution, famous for big promotions, rock auctions, charity events, provocative comedy, and the unmistakable “101 KLOL” brand. At its peak in the early 1990s, it was one of Houston’s most-listened-to stations and dominated the younger male audience.

Decline came with the consolidation of the radio industry in the 1990s. As ownership shifted from local hands to large media groups, KLOL’s free-formroots slowly disappeared, replaced by safer classic rock programming and stricter commercial strategies. By the end of the decade, the audience had fragmented, but for generations of Houston listeners, KLOL remained much more than just a radio station.